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Vālmīki Rāmāyaṇa 2.106.10
Ayodhyā Kāṇḍa, sarga 106: Bharata returns without Rāma. Ayodhyā resembles an extinguished fire and deserted altar, he laments its emptiness and reaches Daśaratha’s residence
In the sequence: the narrative pauses over its emptiness through a series of comparisons: an extinguished fire, a defeated army, an abandoned altar, a damaged watering place, and a sky without its familiar lights
2.106.10
prabhākarālaiḥ susnigdhaiḥ prajvaladbhir ivottamaiḥ
viyuktāṃ maṇibhir jātyair navāṃ muktāvalīm iva
like a new pearl-strand robbed of its finest genuine gems — dazzling with light, well-polished, as if ablaze;
Words: prabhākarālaiḥ — dazzling with light; susnigdhaiḥ — well-polished; prajvaladbhir — blazing; ivottamaiḥ — as if the finest; viyuktāṃ — deprived, parted; maṇibhir — of gems; jātyair — genuine, of pure water; navāṃ — new; muktāvalīm iva — like a pearl-strand
Composed by Maharṣi Vālmīki, the ādikavi of the ādikāvya: the first poet of the first poem. Sanskrit: The Vālmīki-Rāmāyaṇa: Critical Edition, Oriental Institute, Baroda, 1960–1975 (gen. eds. G. H. Bhatt, U. P. Shah); IAST from GRETIL (Göttingen). Translation and word glosses: Claude Opus 4.6–4.7; summaries and sequences: ChatGPT Astra (machine-made). Numbering follows the Critical Edition, not the vulgate (e.g. Gita Press, valmikiramayan.net), so sarga and verse numbers can differ from those editions.