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Vālmīki Rāmāyaṇa 1.5.15

Bāla Kāṇḍa, sarga 5: Ayodhyā’s layout and defences. The narrative introduces Kosala on the Sarayū and its capital, describing Ayodhyā’s roads, defences, markets and abundant provisions

In the sequence: tributary Kings and merchants from many countries mingle among gardens, performers, jewel-adorned palaces, and closely built houses → grain is plentiful, water sweet, and drums, lutes, and cymbals fill the streets with music

1.5.15

prasādai ratnavikṛtaiḥ parvatair upaśobhitām
kūṭāgāraiś ca saṃpūrṇām indrasyevāmarāvatīm

graced with jewel-wrought palaces towering like mountains, and full of turreted mansions — like Indra's Amarāvatī;

Words: prasādai — with palaces; ratnavikṛtaiḥ — wrought and adorned with jewels; parvatair — with mountains (i.e. mountain-like); upaśobhitām — graced, adorned; kūṭāgāraiś ca — and with turreted mansions; saṃpūrṇām — filled, full; indrasyevāmarāvatīm — like Indra's Amarāvatī

Composed by Maharṣi Vālmīki, the ādikavi of the ādikāvya: the first poet of the first poem. Sanskrit: The Vālmīki-Rāmāyaṇa: Critical Edition, Oriental Institute, Baroda, 1960–1975 (gen. eds. G. H. Bhatt, U. P. Shah); IAST from GRETIL (Göttingen). Translation and word glosses: Claude Opus 4.6–4.7; summaries and sequences: ChatGPT Astra (machine-made). Numbering follows the Critical Edition, not the vulgate (e.g. Gita Press, valmikiramayan.net), so sarga and verse numbers can differ from those editions.